http://www.ooonzen.com winnie won yin wong Fri, 04 Nov 2011 01:50:07 +0000 http://www.ooonzen.com en http://www.ooonzen.com/Manufacturing-Realisms http://www.ooonzen.com/following/ooonzen.com/Manufacturing-Realisms Fri, 04 Nov 2011 01:50:07 +0000 winnie won yin wong 2251094 <img src="http://payload.cargocollective.com/1/1/54292/2251094/morhpeus_600.jpg" border="0" width="600" height="260" width_o="1525" height_o="662" src_o="http://payload.cargocollective.com/1/1/54292/2251094/morhpeus_o.jpg" align="left" /> Master's thesis (MIT 2002) on product placement in the Hollywood film by by Winnie Wong. This work examines the appearance of trademarked products in art and film from 1882 to 2002, and the professionalization of product placement in post-E.T. Hollywood. Available at the MIT Libraries archives. Image: Morpheus, with Duracell CopperTop (R) battery , in The Matrix (1999). http://www.ooonzen.com/The-Problem-Solvers http://www.ooonzen.com/following/ooonzen.com/The-Problem-Solvers Fri, 04 Nov 2011 01:22:07 +0000 winnie won yin wong 2250558 <img src="http://payload.cargocollective.com/1/1/54292/2250558/ek.jpg" border="0" width="583" height="250" width_o="583" height_o="250" src_o="http://payload.cargocollective.com/1/1/54292/2250558/ek_o.jpg" align="left" /> An essay by Winnie Wong on the work of four young American artists, Emily Katrencik, Patrick Killoran, Galya Rosenfeld, and Seth Weiner. Published in English and Romanian in a special issue of OMaGiu , "Problems," edited by Mihnea Mircan, Fall 2006. Image: Emily Katrencik, Consuming 1.956 Inches Each Day for Forty One Days, 2005. http://www.ooonzen.com/New-Work-Liu-Ding http://www.ooonzen.com/following/ooonzen.com/New-Work-Liu-Ding Wed, 02 Nov 2011 17:17:14 +0000 winnie won yin wong 2242316 <img src="http://payload.cargocollective.com/1/1/54292/2242316/liu ding.jpg" border="0" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/1/54292/2242316/liu ding_o.jpg" align="left" /> Winnie Wong's interview with Chinese contemporary artist Liu Ding. In Art World (Australia), No. 9, June/July 2009 http://www.ooonzen.com/Learning-from-Shenzhen http://www.ooonzen.com/following/ooonzen.com/Learning-from-Shenzhen Tue, 01 Nov 2011 23:56:41 +0000 winnie won yin wong 2238676 <img src="http://payload.cargocollective.com/1/1/54292/2238676/urbanus_dafen.jpg" border="0" width="600" height="347" width_o="600" height_o="347" src_o="http://payload.cargocollective.com/1/1/54292/2238676/urbanus_dafen_o.jpg" align="left" /> A public symposium on urban planning, urban art districts, and the city of Shenzhen. Featuring Jonathan Bach, James Corner, Tunney Lee, Samuel Liang, Alex Lui and Mary Ann O'Donnell. Organized by Winnie Wong for the opening of the 5th Shenzhen-Hong Kong Urbanism Biennial. December 10, 2011. 2:00-6:00 PM OCT LOFT Shenzhen, China Image: Urbanus Architecture and Design, Dafen Lisa, 2010. http://www.ooonzen.com/The-Catalog-by-Dung-Kai-Cheung http://www.ooonzen.com/following/ooonzen.com/The-Catalog-by-Dung-Kai-Cheung Tue, 01 Nov 2011 22:51:13 +0000 winnie won yin wong 2237721 <img src="http://payload.cargocollective.com/1/1/54292/2237721/che.jpg" border="0" width="670" height="377" width_o="1088" height_o="613" src_o="http://payload.cargocollective.com/1/1/54292/2237721/che_o.jpg" align="left" /> The Catalog by Dung Kai-Cheung (Hong Kong). A collection of stories translated from the Cantonese by Winnie Wong. For the exhibition Branded and On Display, organized by Curator Squared. http://www.ooonzen.com/Portability http://www.ooonzen.com/following/ooonzen.com/Portability Tue, 01 Nov 2011 21:47:45 +0000 winnie won yin wong 2238092 <img src="http://payload.cargocollective.com/1/1/54292/2238092/t34_cover_web.jpg" border="0" width="588" height="631" width_o="588" height_o="631" src_o="http://payload.cargocollective.com/1/1/54292/2238092/t34_cover_web_o.jpg" align="left" /> A collection of essays, art and design on "portability," or the fictions of global mobility, with contributions from Stanford Anderson, James Graham, Mihnea Mircan, Hanna Rose Shell, and more. Edited by Winnie Wong, and published as Number 34 of Thresholds, MIT Department of Architecture, 2007. Go to volume ➻ Image by Maleonn, Design by Tanja Neubert http://www.ooonzen.com/At-Originality-s-Boundaries http://www.ooonzen.com/following/ooonzen.com/At-Originality-s-Boundaries Tue, 01 Nov 2011 21:47:39 +0000 winnie won yin wong 2232831 <img src="http://payload.cargocollective.com/1/1/54292/2232831/cwSHOP_E85592_TingquasStu.jpg" border="0" width="670" height="449" width_o="1193" height_o="800" src_o="http://payload.cargocollective.com/1/1/54292/2232831/cwSHOP_E85592_TingquasStu_o.jpg" align="left" /> Winnie is currently conducting research on trade painting in Guangzhou, China and its environs, circa. 1760-1842. From this research, she has recently given papers on the visualization of the division of labor (Peabody Essex Museum, Salem, 2009), on Western travel accounts of the studio of Lam Qua (Matteo Ricci Institute, Macau, 2010), and on the unauthorized Chinese copies of Gilbert Stuart's Portrait of General George Washington (World History Association, Beijing, 2011). Image: Studio of Tingqua (Guan Lianchang, active 1830s-1870s), Tingqua's Studio, gouache on paper, mid-19th century, coll. Peabody Essex Museum. http://www.ooonzen.com/Framed-Authors-Photography-and-Conceptual-Art-from-Dafen-Village http://www.ooonzen.com/following/ooonzen.com/Framed-Authors-Photography-and-Conceptual-Art-from-Dafen-Village Tue, 01 Nov 2011 20:56:37 +0000 winnie won yin wong 2232339 <img src="http://payload.cargocollective.com/1/1/54292/2232339/yxz_020408.JPG" border="0" width="670" height="502" width_o="1024" height_o="768" src_o="http://payload.cargocollective.com/1/1/54292/2232339/yxz_020408_o.JPG" align="left" /> An article introducing Winnie's research in Dafen Oil Painting Village, with discussion of Christian Jankowski's China Painters (2006), Michael Wolf's China Copy Artist (2006), and the painter-extraordinaire, Yin Xunzhi. Published in Yishu, Journal of Contemporary Chinese Art, 7:4 (July 2008). Go to article ➻ Image: Photograph of Yin Xunzhi, with image of Michael Wolf, China Copy Artist, 4 February 2008. http://www.ooonzen.com/Shenzhen-China-Utopias-Dystopias http://www.ooonzen.com/following/ooonzen.com/Shenzhen-China-Utopias-Dystopias Mon, 31 Oct 2011 20:40:18 +0000 winnie won yin wong 2232133 <img src="http://payload.cargocollective.com/1/1/54292/2232133/001.jpg" border="0" width="670" height="450" width_o="946" height_o="636" src_o="http://payload.cargocollective.com/1/1/54292/2232133/001_o.jpg" align="left" /> An Interdisciplinary Conference hosted by the History, Theory and Criticism of Architecture and Art Program, with additional funding from the MIT School of Architecture and Planning, and the Office of the Provost. Organized by Winnie Wong. Saturday, March 12, 2011 MIT Department of Architecture 77 Mass Ave, Cambridge, MA Building 7: Audio Visual Theater (7-AVT) Free and Open to the Public For more information: architecture.mit.edu/htc Image: Jia Yuchuan, He/She, 2004. http://www.ooonzen.com/After-the-Copy http://www.ooonzen.com/following/ooonzen.com/After-the-Copy Mon, 31 Oct 2011 19:54:56 +0000 winnie won yin wong 2231724 <img src="http://payload.cargocollective.com/1/1/54292/2231724/palette and gao sm_600.jpg" border="0" width="600" height="337" width_o="711" height_o="400" src_o="http://payload.cargocollective.com/1/1/54292/2231724/palette and gao sm_o.jpg" align="left" /> Doctoral dissertation (MIT 2010), and forthcoming book on China's Dafen Oil Painting Village by Winnie Wong. Dafen village is the world's largest production center for oil paintings, located in Shenzhen, China. After the Copy is based on five years of ethnographic fieldwork in the global oil painting trade, and is an art history of the encounter between Dafen village and global contemporary art.